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Mitra Kavian’s paintings challenge our preconceived categories of ‘fact’ and ‘fiction’. She represents the dilemmas and paradoxes of our public and private lives in a ‘fairytale’ framework. Kavian’s aim is to unsettle explanations and theories that attempt to reduce modern male and female experiences to simple stereotypes and unambiguous definitions.

In the setting of a dream, Kavian is able to capture a sphere of existence where objects are unrestricted and can manifest the most intimate aspects of our lives. She manipulates and mixes symbols representing folklore, scripture, childhood memories, lost love, diminished love and love still yearning. There is a strong ‘trans-realist’ or ‘magical realist’ influence in Kavian’s work which attempts to transport the spectator to a place where logical correlation between objects cease to exist and emotional affinities authorize the diverse arrangements. She depicts real and imaginative characters according to peculiar rules of inclusion and exclusion. Kavian’s art reveals the artificial nature of our own boundaries and roles and leaves us questioning the conventional distinctions between fact and fiction.

Omid Tofighian

 

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